So, why stop here, YAMAHA / Steinberg can introduce some other innovative synthesis technologies (i.e. So, why doesn’t YAMAHA focus on developing high-quality, first class sample libraries for H5 & HS2, in addition to developing some innovative synthesis technologies for VST synths, Granular is getting more popular now that Steinberg has done this right with PadShop Pro, and gone to the next step with Halion 5. It is just logical to me that YAMAHA should be the driving force behind the sound/library development for the Halion line. YAMAHA has a lot of experience in sampling, especially when it comes to squeezing some of the best sounds in the industry into their Motif line, which has a lot of limitations compared to what Halion 5 & HS 2 can offer. Sadly, they are still stuck in the world of Hardware (workstations like the Motif), where limitations are all over the place, why don’t they just move to the fast-paced world of software, and sound development. I wish YAMAHA would focus on making some of the best sound libraries for Halion 5 and Halion Sonic 2 ! If the factory library was poor then there’d be a ready-made hole to fill, but it’s actually one of the best and most comprehensive. I understand what you’re saying, that the install base won’t grow without more libraries being available, and i’d love to see that too, really, but it’s a bit of a chicken and egg situation. OK, a bit of a cheap-shot, but I wonder how many Kontakt users actually ever crack open the wrench? Do people mainly upgrade from the free player to take advantage of the smaller/cheaper non-protected libraries? Only NI market research know… However, for people who do want a powerful sample-based instrument, mainly do their own programming/sound design, and are not interested in coding : that’s where HAL5 and the like come in. IF $USEAGE='rompler' THEN $PRODUCT='Kontakt' UVI are giving it a shot, and good luck to them as M5v3 is a great product, but equally it points more to the direction of where the 4th generation samplers like H5 are heading, towards comprehensive sound design platforms. Kontakt’s long since won the ‘pre-pack’ library market, and I don’t think SB are interested in tackling that market again (they’ve already been there with the HALion Player, which didn’t go so well…) so they’re approaching it from a different angle. Yes, though orchestral costs big $$$$, & what developer is going to commit to that kind of upfront expenditure for a smaller potential market and thereby less chance of a return? When there’s a perfectly good sampler with a ‘free’ player out there with a large user base already in place.

Sample Developers have the time, know how, and resources to produce sample libraries especially complex, and demanding instruments.

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